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In this episode:
Tom talks about an article on the Tunecore blog with a very inaccurate view of how Creative Commons works.
And Bandcamp releases it's own Facebook app.
Ad we talk to Doug's roommate Manuel who has some very interesting stories about the history of copyright and how he got involved though out his career.
And Tom rants about Ke$ha a bit too.
Here are Dougs notes from the conversation:
Creative Commons in Argentina and Latin America generally.
Death and creditors in the “European World”
Anything else you want to share.
GEMA copyfraud
(Maurice Ravel) 19th century French artist is the basis of Argentinian
friend of Victor Hugo
“The Berne Convention was developed at the instigation of Victor Hugo of the Association Littéraire et Artistique Internationale.”
Musicians Guild
PMRC
Maria Elena Walsh
Oh, I found this one: http://es.wikipedia.org/wiki/Patricia_Walsh
Pinochet
Lugosi v. Universal
http://en.wikipedia.org/wiki/Let%27s_Dance_%28David_Bowie_album%29
Fred Astaire Dirt Devil: http://www.youtube.com/watch?v=q-ix5IYz0cc
Woody Allen Filmography: http://en.wikipedia.org/wiki/Woody_Allen_filmography
Adult Entertainment Performance rights (our daily dose of SEO): http://en.wikipedia.org/wiki/Porn
Genitorurers: http://www.genitorturers.com/home.html
From email:
Author's Rights in Argentina: two sided coin: Moral and Economic rights
Moral rights in Latin America/Continental Europe,
The “equivalent” for moral rights in the US: http://en.wikipedia.org/wiki/Personality_rights
nontransferable , non-execution, non-waive, no statute limitations (no loss or change over time)
Berne Convention 6 bis: Derivative works - integrity - deformation - mutilation (if can affect reputation and honor)
Divulge / non divulge / retract
Creative commons enforcement: https://creativecommons.org/weblog/entry/26115
